Neo-Tokyo in Ginza: Katsuhiro Otomo’s new 7-meter ceramic masterpiece includes an iconic AKIRA surprise

If you’ve ever felt that chill down your spine watching the red light trails of Kaneda’s bike, get ready: Katsuhiro Otomo has left his mark on Tokyo once again.

This time, the mastermind behind AKIRA hasn’t taken over a cinema, but Ginza Station. This isn’t just a temporary poster; it’s a massive, 7-meter-wide permanent installation titled “Procession Spin“. A large ceramic relief that blends centuries of history with the cyberpunk aesthetic only Otomo can deliver.

From ancient clay to the steel of tomorrow

True Otomo fans know his obsession with detail is legendary, and “Procession Spin” is no exception. The piece is designed to be read from right to left (just like manga) and serves as a timeline of human craftsmanship:

  • On the right: The past, featuring ceramics inspired by the Jomon era, using a special glaze made from rice paddy soil to give it a rugged, ancient texture.
  • In the center: The sacred present, dominated by an eleven-headed Kannon (the Goddess of Mercy) covered in gold leaf—a striking sight amidst the subway chaos.
  • On the left: This is where we get excited. The industrial future, full of metallic finishes and architecture that screams Neo-Tokyo.

The ultimate easter egg

Here is the best part: in the bottom-left corner, if you look closely at the 164 ceramic and bronze tiles, you’ll find a motorcyclist in a red suit. It’s a direct nod to AKIRA, and word has it that Otomo personally hand-colored this specific section. It’s his way of telling us that no matter how much time passes, the spirit of rebellion and speed remains.

Why it’s a big deal

This ceramic relief has been produced by the Japan Traffic Culture Association (JPTCA). Otomo spent two years working with the masters at CREARE Atami-Yugawara Studio to ensure this piece would last forever. It’s not something meant to be viewed on a screen; you have to see the 290 different glazes and feel the scale in person.

As the master himself said at the unveiling: “The work now belongs to the viewer.” So, if you ever find yourself at the B1 exit of Ginza Station (Hibiya Line), do yourself a favor: stop, let Otomo’s “whirlpool” pull you in, and go find that red biker. Neo-Tokyo is closer than we think!

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